Sunday, January 31, 2010

A Single Man: Great Art Direction by Tom Ford



Every frame of this film you can tell someone with a keen eye for image directed this film...that would be Tom Ford, fashion designer fame. Each frame is detailed with set design that is remarkable. From the mohair sweaters to the clocks and blankets and clothing and music. Not since Julian Schnabel (painter fame and now director fame) has anyone come close to the image building and visual iconography on the screen.

Great acting, amazing set design and art direction.
If you have to spend $10 to see a film at least consider this one.


www.tomford.com



Julian Schnabel Paintings are Amazing works of art (scale, type, imagery)
Films: Basquiat, Before Night Falls, Diving Bell and the Butterfly


check it out..inspiring work

new logo

logo exploration

old logo

work for fun

http://mattsoncreative.com/blog/

Saturday, January 30, 2010

Wednesday, January 27, 2010

Exhibition at Agnes Scott College


Here is the exhibition I thought might be fun for you to enter.

Tuesday, January 26, 2010

Major Matters Video

Take a look at this Major Matters Video.
Some of your work is inside of the video piece.
Congrats!
www.cas.gsu.edu/6661.html

Monday, January 25, 2010

Kyle Cooper at The Plaza Wed, Feb 3rd



AIGA Atlanta Hosts Kyle Cooper Sponsored by Primal Screen
Broadcast design and animation company Primal Screen sponsors an evening with Kyle Cooper, hosted by AIGA Atlanta.

Location: Plaza Theater
Date: Wed, Feb 3
Time: 6:00 PM - 9:00 PM
Members: $8 / Student Members: $5
Non-Members: $15 / Student Non-Members: 15
REGISTER NOW

Kyle Cooper has directed over 150 film title sequences, and has been credited with almost single-handedly revitalizing the main-title sequence as an art form. He is the founder of two internationally recognized design and production companies, Imaginary Forces and Prologue Films.

Cooper earned a M.F.A. in Graphic Design from the Yale School of Art, where he studied independently with Paul Rand. Cooper is a member of the Alliance Graphique Internationale and holds the honorary title of Royal Designer for Industry from the Royal Society of Arts in London.

Past work includes title design for Seven, Dawn of the Dead, Braveheart, Superman Returns, Mission: Impossible, The Painted Veil, Donnie Brasco, The Island of Dr. Moreau, Mimic, Wild Wild West, Titus, Zathura, Iron Man, and Spider-Man 1, 2, and 3.

Plaza Theater, 1049 Ponce De Leon Avenue, Atlanta 30306
Doors open 6:00 pm, presentation 6:30 pm

Member: $8 on-line, $10 door
Student Member: $5 on-line, $10 door
Non-member: $15 on-line, $22 door

Sunday, January 24, 2010

Book Covers Extravaganza Website






www.bookcoverarchive.com

Friday, January 22, 2010

Thursday, January 21, 2010

Let's Go to This this summer!




www.dialoguesindesign.com

I'm serious about this.

Sunday 20 June
Welcome
Provençal Barbecue at the Moulin des Trois Arcs

Monday 21 June
Retrospective Presentations by Massimo Vignelli and Armando Milani
Introduction to Master Workshop Project: Massimo Vignelli
Museum project excursion; Provençal village dinner option

Tuesday 22 June
Master Workshop Project Work Session: Massimo Vignelli and Armando Milani
Dialogue 1: Creating the Vignelli Museum Collections: Lella Vignelli
Design video and picnic dinner at the Moulin des Trois Arcs

Wednesday 23 June
Master Workshop Project Work Session: Massimo Vignelli and Armando Milani
Dialogue 2: The Impact of Culture on Semiotics and Design: Cynthia Milani
Grasse excursion and dinner option

Thursday 24 June
Master Workshop Project Work Session: Massimo Vignelli and Armando Milani
Dialogue 3: Pioneers of Modern Typography: R. Roger Remington

Friday 25 June
Master Workshop Project Work Session: Massimo Vignelli and Armando Milani
Dialogue 4: The Art of Client Development: Lella Vignelli
Student Cook Off: An evening of creativity and cuisine

Saturday 26 June
Master Workshop Project Critique: Massimo Vignelli and Armando Milani
Excursion to Picasso Museum

In Home Office/Design Studio: Possible Tax Deduction

IF YOU HAVE A BASEMENT, ROOM, SPACE THAT YOU USE AND DESIGNATE AS YOUR OFFICE FOR USE DURING FREELANCE OR BUSINESS THEN YOU CAN USE THIS FORMULA.

I would make sure you have a CPA or someone familiar with the current
IRS rules/regulations before using this formula. I will gladly forward you the name of my CPA, Gale Williams, if you need one in the future.


IN HOME OFFICE SPACE EXAMPLE:
a) YOUR STREET, USA FOR 6 MONTHS JAN-JUNE
MUST HAVE ALL YOUR RECEIPTS AND THEN TOTAL AMOUNT:

MORTGAGE: $7,676.23
ELECTRIC: $ 485.45
GAS $1.075.31
CABLE TV $ 282.89
PHONE/INTERNET $ 398.15
WATER $ 66.28
CELL PHONE $ 340.83

TOTAL $10,325.09

FORMULA FOR USAGE OF IN-HOME OFFICE SPACE:
TOTAL SIZE OF HOUSE: 2000 SQ. FT.
TOAL SIZE OF OFFICE SPACE: 156 SQ. FT. (OFFICE IS: 12’ X 13’)
.13% OFFICE PERCENTAGE OF ITEMIZED COSTS ABOVE

FORMULA:
DIVIDE 156 SQ FT (OFFICE SPACE) INTO 2000 SQ FT (ENTIRE HOUSE SPACE)=12.8
THEN TAKE $10,325.09 ( ENTIRE HOME COSTS) AND MULTIPLY BY 13% = $1,342.20
SUBTOTAL DEDUCTION: $1,342.20

Wednesday, January 20, 2010

Haiku

Book Design: Ian Fleming Style from the 60's

A little something for Shauna and her book cover future.










Monday, January 18, 2010

CHECKLIST:
 Inventory: 30 Minute Presentations

 Inventory: Mapping your entire past work chart
Printed, 11” x 17” or 12” x 18” color.
Due: Tuesday Feb02

 Written Artist Statement for Individual Voice Project
Must be a page and half to satisfy CTW requirement
DUE: Tuesday Feb02

 Individual Voice Project-Your Choice/New Project
DUE: Tuesday Feb16

 Music Project- Collective Group Project for Chuck Loeb/Lizzy Loeb
New packaging design for forthcoming album. Prototype for artist.
DUE: Thursday Mar04

 Personal “Leave behind” or Self Promotional Item
One-of-a-kind self-promotional item for Sr. Exit Review.
DUE: Exit Review

 PDF High Res Images of Work
DUE: Exit Review

 Juried Student Show Entry Identified
DUE: TBA

 BFA Senior Show Entry Identified
DUE: TBA

 Personal Stationery/Branding Project
 Letterhead
 Second Page (optional)
 Envelope(s)
 Business Card (professionally printed)
 Resume on Letterhead
 Letter of Introduction on Letterhead
DUE: Thursday Mar25

 Group Project: TBA
DUE: TBA

 Written Artist Statement: Graphic Design Philosophy
Must be a page and half to satisfy CTW requirement.
DUE: Thursday Apr22

 CTW Examples: Follow Instructions
DUE: Thursday Apr22

SarcMark



For $1.99 you can order this mark.

SarcMark aims to avoid email misinterpretations
Date: Monday 18th January 2010

A new punctuation mark expressing sarcasm has been introduced, according to reports.
The SarcMark – which is roughly an upside-down @ - is designed to help readers understand their tone when writing web content or sending email marketing material.

Created by Sarcasm Inc, the mark is designed to flag up instances where the writer is expressing views in a tongue in-cheek manner.

The company stated: "Statements have the period. Questions have the question mark. Exclamations have the exclamation mark.

"When you see the newest punctuation mark for sarcasm, you'll know the writer of that sentence doesn't literally mean what they're writing."

However, the innovation has come in for some criticism.

Writing for the Toronto Sun, Irene Thomaidis suggested that some readers are always likely to misinterpret the tone of particular content, and using punctuation to reveal sarcasm amounts to "dumbing down".

Written by Mark Hainsby

Sunday, January 17, 2010

Resume vs. CV (Curriculum Vitae)

What are the differences between a resume and a CV?

In general, CVs are used throughout most of the world, while resumes are the common format in America. However, there are significant differences between the two documents.

At first glance, the differences between the two seem slight. Both consist of a structured list of facts that allows you to impart relevant information about your skills and achievements to an employer as quickly and simply as possible.

Although in essence they both serve the same purpose, the main difference between a CV and a resume is that a CV acts as a complete record of your professional history, while a resume is a short, targeted list of transferable skills and accomplishments, intended to show how you can be of specific benefit to the particular company to which you are applying.

A resume should be a shorter, more focused account of your relevant skills and achievements. Although the exact length of a resume is open to debate, in general it should not exceed one page in length, and it's safer to be conventional; after all, you want to get the job. It's fine to miss things out of a resume to keep the length down; you should only include the things that are most relevant to the position you are targeting. Resumes also often miss out some of the more personal details that CVs include, such as hobbies and interests.

As with CVs, resumes are usually organized into a few essential sections. However, one key difference between a CV and a resume is that resumes are focused on your skills and accomplishments, rather than providing an objective account of your history. As a result, resumes often feature aggrandizing language, and tend to be more obviously self-promoting than CVs.

A Resume is normally a concise one-page summary that describes an individual's education, employment history, awards, biographical information, and other accomplishments. It is intended to focus and highlight just the main strengths of the individual, and demonstrate fitness for the particular post.

On the other hand, a Curriculum Vitae (CV) is more detailed, meant to describe each and every job, training course and accomplishment in full. Thus, CVs tend to be longer, more informative, yet more tedious for the person screening them, while resumes are more brief and easier to scan through but could be too general for the employers needs.
Normally, employers seeking individuals for higher education positions prefer a CV over a resume due to the fact that it tends to be more comprehensive.
Information above courtesy: www.wiki.answers.com

Below you will see an excellent CV created by a MFA Alumni, Lindsay Chenault.
(Her CV was originally a pdf and I broke into jpgs so you can view it here. Click image for larger version.)







A Resume from an Alumni. This is a very short and sweet version (this is a b/w version and I will post the color version shortly.)

Wednesday, January 13, 2010

Portfolio Inventory: Seniors Showing Work Appointments

Please make sure each of you scheduled to show your work in class arrive on time and with all the work you have done in the past. Your classmates and myself will assist you in editing out the good and bad and anything in question.
It has to be a quick run through of your work. Have it somewhat organized when you get to the classroom
Everyone will have 30 minutes to go thru it...just as an editing process.

Tuesday, January 19
11-11:30 Chrissy
11:30-12:00 James
12:00-12:30 John
12:30-1:00 Shauna
1:00-1:30 Saedieh

Thursday, January 21
11-11:30 Joe
11:30-12:00 Nathan
12:00-12:30 Justin
12:30-1:00 Jason
1:00-1:30 Mike

Tuesday, January 26
11-11:30 Michelle
11:30-12:00 Mario
12:00-12:30 Kari
12:30-1:00 Min Sun
1:00-1:30 Chia

Thursday, January 28
11-11:30 Sandra
11:30-12:00 Zach
12:00-12:30 Troy
12:30-1:00
1:00-1:30

Saturday, January 9, 2010

A Note from Your Professor

The clock has begun to tick.
It's ticking now.
Do you hear it?
It's your graduation clock showing only 109 days left.
That's actually only 32 class periods.

Does this countdown scare you or does it invigorate you?

Take a minute and look around at where you right now.
It should be comforting to be among twenty others from your senior class.
Each of you with such different styles,techniques and attitudes about design and yet each of you have remained a solid collective of support for one another. It is your creative and personal differences that appears to be the glue that holds each of you together and will continue doing so hopefully after you graduate.
Longevity in your relationship with one another is critical once you graduate.
Take it from me, many of those classmates I adored as an undergraduate and graduate student are still very much present in my life today. I honor that tradition of longevity and commitment to such friends.


Think about it. Each day you get the opportunity to come to a classroom filled with so many wonderful designers and thinkers and problem solvers. I don't think you know it yet but this is a rarity unless you are fortunate enough to work in large design studio with teams of other people. But nothing is comparable to a classroom where you are still experimenting and doing work that will assist you in your future.
Treasure this last semester as it will pass by very quickly.

With every New Year there seems to always be a sense of expectation and anticipation for all of us. It's normal and actually quite healthy to feel this way. Every time you start a new class or a new year it's like putting on a new pair of shoes which you have to break them for comfort. "Breaking them in" is where the hard work begins. It just doesn't happen without walking the miles and doing the work and investing in the time.

Anticipating the days ahead prior to your graduation can be intimidating or just plain scary. What I've learned is not to "project" too much into the future.Don't get ahead of yourself. Each day plan what it is you want to do and get out of the class experience or internship or work. Try to take it minute by minute and day by day. Do the good work and you won't panic.

My mantra has always been "live in the moment and plan for the future." This doesn't mean dwelling on the future just be aware of it. The future will get here soon enough so you actually don't give it too much attention. We all know the proverbial "elephant" in the room is our future. Acknowledge it and respect it. Just don't be afraid of it.

If its at all possible I would like to try and put each of you at some ease about the time you have remaining at GSU. Unfortunately by even saying this will make some of you anxious so I apologize in advance. It goes without saying that each of you will be graduating in a few months. After graduation some of you will choose stay in town and others will move away. Some of you will stay in touch and some of you will not.
It's the inevitable time for change. Be optimistic about it. Be bright-eyed about it.

We live in the time of "change" which seems to be the new buzzword and battle cry for a whole new generation. Just saying the word "change" can excite or scare people. Change is forever and it has good and bad connotations. For me it's always been about what to do with Change. How do you approach it? Do you choose to embrace it or run from it or ignore it?
Do you tip toe into change or do you jump in with all your being?
It's different for everyone but my advice is to make friends with change and figure out a way for it to work for you at your own pace.

When I was at CNN it seems that "change" arrived every time a new CEO or President would take charge of the network. It was always a time to prove and re-prove yourself and your net worth to the new regime. I remember a colleague saying to me as we prepared ourselves to meet yet again our new boss "hey you know everyone says that change is good...and you know it isn't always good. We could loose our jobs man." By his own admission change scared him. For me it wasn't a death sentence nor a titillating notion of opportunity. It was just "change" and you went through it.
I opened the door and went through it knowing another door is just around the corner to be opened and closed again.
Its what you do with change that colors it one way or the other.

How do you personally handle change?

I've heard senior students in the past say they fell like they were in "limbo" during their final semester in graphic design. It's probably that way in every discipline actually. Perhaps you want your final semester to be prolific and fantastic when in reality it is just a continuum. Sometimes the final senior semester can feel like limbo due to the fact that so many of you are creating new projects while also looking back at your older projects and even trying to make them fresh again. Looking ahead and looking back. One foot in the present and one foot in the future.

This is a time of finishing up and a time of starting over.
This is a time of letting go while still trying to hold on to the familiar.
This is a time of endless days and nights at school in the lab or in the classroom with all your classmates/teachers and then suddenly it is over and you suddenly find yourself alone in your room at home designing all by yourself perhaps.
This is a time of understanding the true meaning of networking.
These final few months as a senior is certainly one of preparation for what's ahead.

It's another chapter of your creative life.
So go ahead and turn the page and start again.
Starting over can really be exciting if you are so inclined, a time to reinvent yourself.

Graduation always seemed rather anti-climatic to me in my own experiences. It didn't matter that it was in undergraduate or graduate school. The experience was strangely the same. The rush, the panic, the tireless work, the creative energy, the sleepless nights of work, the coffee, the preparation for graduation and then it's over.
Then what? What's next?

Try to allow yourself to think of what you want to do after graduation.
Maybe take a trip to the Yukon or starting a new job or applying for grad school.
Stay in motion. Artist need to stay in motion.
Don't get out of your habit of working everyday on something creative.
Do it everyday.
If you get out of practice of being creative it is harder to get back into it.
The same goes with software programs and technology.

Believe me when I say that the time for you between January and May is critical as senior designers especially as you gather up all that gorgeous creative work you've done for the past 3+ years and assemble it into a thoughtfully cohesive and strategic portfolio.
You have to own your work.
You must learn to speak of it with great clarity.
You should be delighted each time to get to show your work or speak of it.
It's Your portfolio. It is your life experience on paper or in motion.
Your portfolio of work is your history.
Ironically, it is also your future.

This portfolio should demonstrate your experiences as a designer. On the day that you leave your Senior Exit Review in 468 your portfolio is no longer one that belongs to a design student but instead, that of a graduate and a professional portfolio. On that special day when you leave the art and design building for many of you, the last time,
you will be among the many who have ventured out to make your mark. Literally.

My simple advice is to never speak of your portfolio in past tense after you graduate.
It should no longer be a portfolio of "projects" you did in school but a portfolio that is worthy of any of your competitors. Young or old, experienced or novice. Speak of your work in the way you want to position yourself in your own career. Own it.

Every step you take in these next few months is a step towards your own personal destiny and self-fulfillment as a creative individual. This is not the time for you to slow down or to think you can just coast along on your past laurels.
It's time to pour it on with great verve and enthusiasm.
Get your rest and then blast off!

One other note for you to think about.
So many times as a student, you might tend to be so involved and busy working. You might become so preoccupied with your work, your frustrations, your obligations (and that doesn't even count your personal life) that you might forget to live "in the moment" as you go through all this. Try not to miss all the sweetness of being a senior during these last few months of art school. Ask any past graduate and they'll certainly tell you how rare this final few months was for them...their final days of moving through a design program with all the same familiar faces and personalities. Your classmates whom you've come to trust and know you and your work better than you probably even know yourself. I know many these alumni still long for the camaraderie of being in a classroom with other creative individuals. Now they are in jobs where it might be a smaller creative team. Word to the wise...Don't be in such a hurry to get out into the professional world. Take your time and enjoy this final semester at GSU.

What I remember most about my time in school (undergraduate and graduate) are the moments with some of my classmates and favorite professors. Funny, but I don't really remember my grades at all. I just remember certain moments burned into my memory like days after our class was dismissed and a few of us would stay behind in the classroom and work (or talk and work.) Mostly it was about talking to each other one-on-one and actually getting to know each other better while we worked on our individual projects.

It was more communion than work.

I loved those times just being together and all my classmates in the same boat heading towards the same destination...graduation.
Those days and nights with my classmates, all working feverishly on some nameless project was a time that allowed each of us to be ourselves and to solidify our friendship and bond with one another. No pretension and no bravado...just doing the work and laughing along the way. Those days and nights are still very poignant to me as I grow older and realize just how special they were. It was during those days and nights that I learned how to be a better artist and a better person.
I learned just how valuable it is to listen.

Once you get into a professional work situation there seems to be less time for those kind of one-on-one conversations like you have in class. Life seems to get busier once you get out of school and the job you might seek will be more about deadlines and less about getting to know one another. Everyone seems to be in a bigger hurry now for some reason.

I had only a handful of teachers whom I truly adored and ironically ended up being good friends with them after my graduation. Some of my favorite teachers are now some of my closest friends even today. I even traveled through Australia and Europe with some of them which was amazing. I hold them in great esteem for what they taught me in the classroom but even more about what they taught me about the love of art, design and friendship. It's a bit ironic that I still feel like they are still teaching me even now as friends. I hold them in great respect for they changed me and my life with their unconditional love and interest in me as a student..and now as a friend.
I learned a lot about acceptance from them.
They helped me accept who I was and what I could be.
They saw something in me way back when as a student that I didn't see, and perhaps still don't see, but they took an interest early on and believed in my talent and my person. I feel that way about so many of you.
To this day I never have my old teachers how I was as a student...
for some reason it just wouldn't be right to ask.

I've told you this before but I consider each of you my surrogate family of sorts...my extended family. I don't take that responsibility lightly.
Your place in my life as a creative individual has indeed made an impression on me and has tempered me into hopefully being a better teacher and student of life. It doesn't matter to me whether we've always seen eye-to-eye in our classroom discussions about art and design. It doesn't matter to me that you might have had an amazing semester or a semester that might have been less successful.
What matters to me most is that you gave it your all.
Lock.Stock and Barrel.

I never thought my job as a professor was to be judge and jury. It is to share with you the knowledge I've learned from working and teaching and living. This is my story and now it's time for you to discover and write your own story. What matters most is that you come away from each semester and each project knowing that you gave it your all and that you never lost your passion for being creative. You learn to discover new things about yourself.
Passion equals longevity.
Passion will continue to serve you long after the others have burned out because they were doing it for money or as a hobby.

So, now the good work begins for each of you.
The clock begins to tick.
Do your best and feel comfortable in those new design shoes.
Wear them with pride and confidence.
They'll be nice and comfortable by the time you graduate and I'll be right there all the time to assist you anyway I can..and even after you graduate.
I promise.
Be proud of your work and it won't let you down.
Love it and it will love you back.
Get busy.

Wednesday, January 6, 2010

Stan's Tax Prep for Graphic Designers

This is how I prepare my taxes for the past 20+years.
I have an amazing CPA, Gale Williams from Marietta, GA.
She's amazing. Used to work for IRS and currently works for a government job that also is responsible for taxes. She is one of the few CPA's that works with artist. She understands what we do and is fair with her evaluations of what we can write off and claim on our yearly taxes. She believes in NOT putting down anything that might send up a red flag to the IRS. She is honest, fair and artist friendly and worth every penny I've paid her over the years to assist me in my taxes.

If you want to use her in the future I'll gladly give you her information.

I'm enclosing everything I did from last year regarding my taxes.
You have to understand that my situation is different from yours but I can give you some pointers on what you can write off and how it applies to our career. Once you start workig fulltime for someone, own a home and such this will really come into fruition for you. Write everything off if you can. That's being a true American!

Monday, January 4, 2010

The Music Project 2010

We are beginning the semester off with several music projects that I think you will find very interesting and invigorating.

Cadillac Jones is from Atlanta. In fact you might recognize the person in the video as John Renaud who came to talk to you in the Fall about the legalities of copyright and intellectual properties. TBS Attorney by day, Musician by night. More to come on this project.
www.cadillacjones.com


Chuck Loeb is a very well known and respected jazz musician and writer. He has played with just about everyone from James Taylor to Pat Metheny. An funny and insightful musician who is excited about the possibilities of working with you.
www.chuckloeb.com

Two different kinds of music genres. A solo artist and a entire rock ensemble.

The Cadillac Jones Project

The Chuck Loeb Project



One of the Best Jazz musicians around and is giving you the opportunity to work with him on preparation for a new decade of music. This project will allow each of you to get to know Chuck and his catalog of music.
I had the chance to get to know Chuck and work with Chuck on numerous music projects while I was Art Director at CNNHLN. This could be one of the best projects. Waiting for his go-ahead. Stay tuned.

Chuck Loeb has an amazingly talented daughter, Lizzy Loeb, who also might be part of this project.
http://www.myspace.com/lizzyloebmusic